dot name » animation http://toze.name Fri, 18 Mar 2011 09:07:08 +0000 en hourly 1 http://wordpress.org/?v=3.3.2 http://toze.name/2009/10/1150/ http://toze.name/2009/10/1150/#comments Thu, 22 Oct 2009 14:12:41 +0000 tozé http://toze.name/?p=1150 waltzwithbashir4

Heavy.

]]> http://toze.name/2009/10/1150/feed/ 0 http://toze.name/2009/10/1131/ http://toze.name/2009/10/1131/#comments Thu, 08 Oct 2009 09:20:39 +0000 tozé http://toze.name/2009/10/1131/

Explaining Google Street View to the Japanese. Cute as a button!

]]> http://toze.name/2009/10/1131/feed/ 0 YouTube — WALTZ WITH BASHIR — Trailer http://toze.name/2008/08/youtube-waltz-with-bashir-trailer/ http://toze.name/2008/08/youtube-waltz-with-bashir-trailer/#comments Wed, 06 Aug 2008 07:39:10 +0000 tozé http://toze.name/2008/08/youtube-waltz-with-bashir-trailer/

trailer for WALTZ WITH BASHIR, an animated documentary which appears to focus on the israeli ocupation of lebanon. stunning.

]]> http://toze.name/2008/08/youtube-waltz-with-bashir-trailer/feed/ 0 http://toze.name/2008/07/batman-gotham-knight/ http://toze.name/2008/07/batman-gotham-knight/#comments Fri, 25 Jul 2008 07:42:01 +0000 tozé http://toze.name/?p=267

batman — gotham knight is nothing short of amazing.

]]> http://toze.name/2008/07/batman-gotham-knight/feed/ 0 “We used a spherical lens as a kind of control to look at depth of field and barrel distortion and…” http://toze.name/2008/07/we-used-a-spherical-lens-as-a-kind-of-control-to-look-at-depth-of-field-and-barrel-distortion-and/ http://toze.name/2008/07/we-used-a-spherical-lens-as-a-kind-of-control-to-look-at-depth-of-field-and-barrel-distortion-and/#comments Sun, 06 Jul 2008 23:41:22 +0000 tozé http://toze.name/2008/07/we-used-a-spherical-lens-as-a-kind-of-control-to-look-at-depth-of-field-and-barrel-distortion-and/

We used a spherical lens as a kind of control to look at depth of field and barrel distortion and the optical breathing you get when you rack from things really close to really far away,” Lasky continues. “It gave us a chance to have something tangible. We used an Arriflex camera with Panavision lenses. We looked at lens flares and how to focus lights in the background. There’s that shot in the truck [his home] when EVE’s looking at the lighter for the first time from WALL•E’s POV and you see the bouquet stretched in the background. And this is the kind of thing we discovered doing those tests.

Engaging read at Animation World Magazine on how WALL•E was shot.

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